The second POV is an agoraphobic widowed woman named Alexandra who is rich but never leaves her massive house and lives there cloistered up like a wannabe Miss Havisham with her daughter, Charlotte, who is also never permitted to go outside. but when she returns, she discovers something terrible: someone took her daughter from the hospital the day after she was checked in, and they did it in Bess's name, with Bess's token. Bess has scrimped and saved for years to return for her daughter. Think of it as a library, where you check in your baby, and then pay to take them back out again- only unsanitary and if you don't check your child back out, they're basically put to manual labor. The first POV is a working class woman named Bess who has had to put her illegitimate daughter, Clara, in a foundling hospital. I was surprised they were by the same person, tbh. Not in mode, not in pacing, not in character. Don't make the mistake that I did and assume that the books are going to be similar: they are not- at all. THE LOST ORPHAN is the same, but the vehicle through which it accomplishes this is an entirely different beast. THE FAMILIARS is a dark but unexpectedly feminist story that takes place during a time that was historically unkind to women but manages to have an empowering message that reads as being fairly accurate to the times as well as a sympathetic heroine. THE FAMILIARS was probably one of my top 5 favorite historical fiction reads of 2019, so I was really excited to receive an ARC of THE LOST ORPHAN by the same author.
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